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Collider Collective is made up of Sophie Spence, Zach Micallef, Maud Freeman & Adrian J Song.
They are artists living and working on the unceded land of the Boon Wurrung & Woi Wurrung language groups of the Eastern Kulin Nations. Together they formed the Collider Collective in late 2020, as a means to question, examine, and discuss the ongoing violence of colonisation.
Sophie Spence is a Naarm based photographer, currently undertaking a Bachelor of
Arts (Photography) at RMIT.
Her developing photographic practice explores personal experiences of womanhood
and mental health. As a member of the Encounter With Collective she explores the use
of archival material to consider and undertake a process of unlearning around social
histories and sense of place.
Having previously completed a Bachelor of Communications, she has spent time
working at a communications consultancy focused on values centred projects.
Zachariah is a Conceptual Artist living on the unceded land of the Wurundjeri Woi Wurrung people of the Kulin Nation. His practice draws heavily on archival material, appropriation, and found imagery, presenting itself in Installation, Print, and Sculpture.
Adrian J. Song is an artist from Shah Alam, Malaysia. He is fascinated by themes concerning generational trauma, the nuances of language and the intricate systems of expression we weave through nonverbal communication. He feels extremely blessed to be living on the land of the Bunurong people.
Maud is a visual artist living and working on the unceded land of the Boon Wurrung and Woi Wurrung language groups. His practice looks at the ongoing implications of colonisation, the relationship between settler histories and the image, primarily explored through photographic media; made, archival, and found.
They are artists living and working on the unceded land of the Boon Wurrung & Woi Wurrung language groups of the Eastern Kulin Nations. Together they formed the Collider Collective in late 2020, as a means to question, examine, and discuss the ongoing violence of colonisation.
Sophie Spence is a Naarm based photographer, currently undertaking a Bachelor of
Arts (Photography) at RMIT.
Her developing photographic practice explores personal experiences of womanhood
and mental health. As a member of the Encounter With Collective she explores the use
of archival material to consider and undertake a process of unlearning around social
histories and sense of place.
Having previously completed a Bachelor of Communications, she has spent time
working at a communications consultancy focused on values centred projects.
Zachariah is a Conceptual Artist living on the unceded land of the Wurundjeri Woi Wurrung people of the Kulin Nation. His practice draws heavily on archival material, appropriation, and found imagery, presenting itself in Installation, Print, and Sculpture.
Adrian J. Song is an artist from Shah Alam, Malaysia. He is fascinated by themes concerning generational trauma, the nuances of language and the intricate systems of expression we weave through nonverbal communication. He feels extremely blessed to be living on the land of the Bunurong people.
Maud is a visual artist living and working on the unceded land of the Boon Wurrung and Woi Wurrung language groups. His practice looks at the ongoing implications of colonisation, the relationship between settler histories and the image, primarily explored through photographic media; made, archival, and found.
Collider Collective is made up of Sophie Spence, Zach Micallef, Maud Freeman & Adrian J Song.
They are artists living and working on the unceded land of the Boon Wurrung & Woi Wurrung language groups of the Eastern Kulin Nations. Together they formed the Collider Collective in late 2020, as a means to question, examine, and discuss the ongoing violence of colonisation.
Sophie Spence is a Naarm based photographer, currently undertaking a Bachelor of
Arts (Photography) at RMIT.
Her developing photographic practice explores personal experiences of womanhood
and mental health. As a member of the Encounter With Collective she explores the use
of archival material to consider and undertake a process of unlearning around social
histories and sense of place.
Having previously completed a Bachelor of Communications, she has spent time
working at a communications consultancy focused on values centred projects.
Zachariah is a Conceptual Artist living on the unceded land of the Wurundjeri Woi Wurrung people of the Kulin Nation. His practice draws heavily on archival material, appropriation, and found imagery, presenting itself in Installation, Print, and Sculpture.
Adrian J. Song is an artist from Shah Alam, Malaysia. He is fascinated by themes concerning generational trauma, the nuances of language and the intricate systems of expression we weave through nonverbal communication. He feels extremely blessed to be living on the land of the Bunurong people.
Maud is a visual artist living and working on the unceded land of the Boon Wurrung and Woi Wurrung language groups. His practice looks at the ongoing implications of colonisation, the relationship between settler histories and the image, primarily explored through photographic media; made, archival, and found.
They are artists living and working on the unceded land of the Boon Wurrung & Woi Wurrung language groups of the Eastern Kulin Nations. Together they formed the Collider Collective in late 2020, as a means to question, examine, and discuss the ongoing violence of colonisation.
Sophie Spence is a Naarm based photographer, currently undertaking a Bachelor of
Arts (Photography) at RMIT.
Her developing photographic practice explores personal experiences of womanhood
and mental health. As a member of the Encounter With Collective she explores the use
of archival material to consider and undertake a process of unlearning around social
histories and sense of place.
Having previously completed a Bachelor of Communications, she has spent time
working at a communications consultancy focused on values centred projects.
Zachariah is a Conceptual Artist living on the unceded land of the Wurundjeri Woi Wurrung people of the Kulin Nation. His practice draws heavily on archival material, appropriation, and found imagery, presenting itself in Installation, Print, and Sculpture.
Adrian J. Song is an artist from Shah Alam, Malaysia. He is fascinated by themes concerning generational trauma, the nuances of language and the intricate systems of expression we weave through nonverbal communication. He feels extremely blessed to be living on the land of the Bunurong people.
Maud is a visual artist living and working on the unceded land of the Boon Wurrung and Woi Wurrung language groups. His practice looks at the ongoing implications of colonisation, the relationship between settler histories and the image, primarily explored through photographic media; made, archival, and found.
