Issue 02: Water.
Launched on 2nd July at Collingwood Yards.
Buy online/instore through Bookshop by Uro.
Launched on 2nd July at Collingwood Yards.
Buy online/instore through Bookshop by Uro.
Contributors:
-Jody Haines.
-Ellen van Neervan.
-Amaara Raheem.
-Chantelle Mitchell.
-Ender Başkan.
-COLLIDER.
-Izzy Brown.
-Craig McGrath.
-Timmah Ball.
Designed by Rebecca McCauley.
Curated and edited by Josephine Mead and Christine McFetridge.
-Jody Haines.
-Ellen van Neervan.
-Amaara Raheem.
-Chantelle Mitchell.
-Ender Başkan.
-COLLIDER.
-Izzy Brown.
-Craig McGrath.
-Timmah Ball.
Designed by Rebecca McCauley.
Curated and edited by Josephine Mead and Christine McFetridge.
Co- Publishing publishes Australian literary and visual arts practices, poetic research, and critical arts writing. For issue two, ‘Water’, the editors wanted to acknowledge their deep respect for Country and, specifically, the Birrarung (Yarra River), which flows through the City of Yarra in Melbourne.
Works in the issue explores notions, metaphors and qualities of water, through poetic, essayistic and photographic investigations.
Lovingly designed by artist and designer Rebecca McCauley, the printed artefact draws from features of water, such as its fluidity and the ways it reflects light. The issue includes an opaque paper dust jacket that gives the impression of looking through water. Additionally, the colour combination, gold and pink, was a deliberate decision to avoid too direct a comparison to waterways, and is instead a reference to other colours present within the landscape: algae, clay and silt.
Works in the issue explores notions, metaphors and qualities of water, through poetic, essayistic and photographic investigations.
Lovingly designed by artist and designer Rebecca McCauley, the printed artefact draws from features of water, such as its fluidity and the ways it reflects light. The issue includes an opaque paper dust jacket that gives the impression of looking through water. Additionally, the colour combination, gold and pink, was a deliberate decision to avoid too direct a comparison to waterways, and is instead a reference to other colours present within the landscape: algae, clay and silt.
